The Sony Xperia Z2 has come out with the standard imaging hardware normally used by Xperia devices, but these are padded up by some software enhancements as well as an improved chipset. The same 20.7 MP camera is present here, as was with the Sony Xperia Z1 and the Sony Xperia Z1 Compact. The exclusive Exmor RS sensor which is larger than those found on most phones, is present here, and can capture images with a maximum resolution of 5248 x 3936 in 4:3, and also provides a wider range of resolutions to choose from.
The Sony Xperia Z2 provides some excellent quality snaps in the Superior Auto mode, although we would have liked the images in this mode to go up from the standard 8MP resolution. We also appreciate the Clear Image Zoom, and the ability to stream live videos to Facebook. The HDR mode is very useful, and catchy, and it is auto-enabled in the Superior Auto mode. In addition, the video recording is pretty good, going up to 4K making it even better. Still, the Scenes modes work only in 8MP mode, while the different standard modes are all available, though for Panorama, the orientation has to be manually changed. The flash of the device is on the lower side, and there is a high level of noise in the low lighting along with the 20 MP mode.
The Background Defocus feature is implemented, which turns the background into a blur with only the foreground in focus. The camera this time around has a higher frame rate, and the onscreen image is pretty clear.
The camera UI is traditional, laid out in left and right columns – the right column has a shortcut to gallery, shutter for camcorder and camera, and shooting modes. The column on the left has the flash toggle, front/back cam selection, as well as settings. Settings change for different shooting modes and tuning of shooting / recording. Unlock and camera launch option of the hardware adds another benefit for times when an immediate snap moment is to be lost. The hard buttons are present on the side for easier snapping and handiness.
The Sony Xperia Z2 encourages snapping in the Superior Auto mode, and this mode, combined with the best shooting modes and color, contrast and metering settings is automatically selected for snapping, though these are all preset at 8MP only, using 16:9 ratio standard. Still, though the overall hype of the 20.7MP snapper may be reduced a bit by this action, we still think that the snapping is still of a good quality.
The Manual mode is also present, though not encouraged – and apparently, much more complicated than what the general public can easily handle. Managing the white balance, the exposure compensation, ISO, focus and metering is pretty tricky work. And, it seems that the manual focus is missing in the manual mode, as is contrast, saturation, and sharpness among others.
The Sony Xperia Z2 shutter has all kinds of options, including smile shutter, face detection, touch capture, geo-tagging and the HDR mode. Scenes modes can also be used in Manual mode, though for this to work, resolution has to be taken down from 20.7MP.
The Sweep Panorama that we saw on the Sony Xperia Z1 is provided here too, which can capture a panorama image, either in landscape or portrait orientation – as this does not utilize the accelerometer, orientation has to be set manually. The quality is on the lower side. The exposure is set as per the first frame capture of the panorama, and is not set to be variable. In addition, the stitching together of images was not good enough.
The Augmented Reality mode is present with the Sony Xperia Z2 like it was with the Sony Xperia Z1, and similar to its predecessor, the smartphone can lay over one of many virtual locations on top of the real one – an interesting feature. This also caters to motion sensing, catering the virtual map as per the movements being done as well. However, the image quality, again, drops.
The Info-eye feature is almost like the Google goggles, recognizing business cards, QR codes, barcodes, text, landmarks, book covers, among other items. This feature provides extremely interesting information for those who want information at a skim about whatever item they are looking at. For this purpose Sony has partnered with some of the leading vendors in their own fields to provide information.
Other modes include the Picture Effect (consisting of different effects and filters and snapping in a 3x3 grid). Users can stream directly from the camera to their Facebook profiles using the Social streaming. The newly introduced Timeshift mode can captures 61 shots in 2 seconds, for best image selection.
The camera captures some very good and detailed images, especially under proper lighting. The level of detail on the Superior Auto mode is just great, and with the reduced noise, and proper projection of textures and objects, the imagery was pleasing to the eyes. With the colors being on the realistic side and not too exaggerated, and had very defined dynamic range. The images are sharper and there is an added noise reduction with the Superior Auto mode, though for some this might not be perfect – we, on the other hand, were quite pleased with the results.
For those of us who do not want the over processed images, they can go for the 20.7 mode with manual shooting. This mode captures a lot of detail, and the size is taller, since it being in 4:3. Still, with the increase in size comes the increase in noise, and at times it even creates into areas that have sufficient lighting, and corners are softer too. Also, there is splatter in some areas of images captured, and this seems to only be in the 20.7 MP mode – let’s just say that the third consecutive release from Sony having the same issue is a bit too much, and we hope that they resolve this issue in the near future.
Similar to the Sony Xperia Z1, the macro shots are good performance, and the detail that comes out if very fine, with a clear separation between the item in front and the rest of the background. The HDR images present a better take on images with a nice exposure overall in the image, but can be considered a bit on the moderate side when compared to its mainstream rivals. Still, the details in the shadows and in the sky are enhanced. The snapping in low light is a completely different story for the Sony Xperia Z2, with a lot of noise creeping in – brightness levels and detail is very nice though, but the granular disturbance does effects the overall quality. The flash also, is not the best we have seen around, and every now and then, it misses the mark. Still, at some level, the flash does seem to regain some detail. The Manual mode has the same story.
The overall quality of the Sony Xperia Z2 in terms of snapper, has a slight edge over that of the Sony Xperia Z1 due to the extra sharpening of images, though detail wise the image quality of both the devices is the same. Against Manual mode, the difference becomes more visible, with the colors of the Sony Xperia Z2 being darker, and though the detail is the same, the images from the Sony Xperia Z2 seem to be on the softer side as compared to those of the Sony Xperia Z1. The same difference is visible in the low lighting shots too.
For video recording, the Z2 has gone up from the standard 1080p video footage at 30fps or 60fps and standard HDR videos with frame rate of 30fps to 4K recording at 2160p and 2840 x 2160 resolution. Users can capture a vast variety of modes, ratios and screen sizes. The 4K videos have a 53Mbps rate, with 30fps frame rate with stereo audio at 150Kbps and 48kHz sampling rate.
Like all Sony sets, the video recording on the Sony Xperia Z2 matches the best in the industry. The level of detail in 1080p is pretty decent, while that on the 4K is outclass. Videos are smooth, exposure is precise every time, focus shifting was automatic and made the shooting almost perfect. The continuous auto-focus can be disabled as well. The HDR mode videos, on the other hand, disappointed us, with the reduced dynamic range, and the resemblance to greyscale images. The Timeshift video mode is present too.